A Three Picture Story: The Setting Of Sculptures
One of the things that I love most about Henry Moore sculptures is that they were made to work in concert with the outdoors.
The original design for King and Queen was made in 1952 and several sculptures were cast between 1952 and 53. One is now on display outside the RHS Wisley Laboratory, overlooking the Canal. The sculpture will be in the garden until the end of September 2014.
“Whilst manipulating a piece of this wax, it began to look like a horned, Pan-like, bearded head. Then it grew a crown and I recognised it immediately as the head of a king. I added a second figure to it and it became a ‘King and Queen’. I realise now that it was because I was reading stories to Mary, my six year old daughter, every night, and most of them were about kings and queens and princesses . . . ” Henry Moore
The setting for any sculpture brings added meaning to the piece, it influences the way we experience it. Set here in these beautiful grounds they have become, for me, an Oberon and Titania. I imagine them coming alive when all visitors have gone and dancing through their garden realm, rejoicing in the fauna and flora, hastening on the arrival of Spring.
“Hand in hand, with fairy grace,
Will we sing, and bless this place”
Titania – A Midsummer Night’s Dream
by William Shakespeare