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ShareMondays2018 – The Deep Shadows

Shadows On The Wall

ShareMondays2018 – The Deep Shadows

I went to the Tower Of London last Wednesday, to witness the commemorative sound and light display, Beyond The Deepening Shadows: The Tower Remembers by Designer Tom Piper and Sound Artist Mira Calix. Yeoman Warders, members of the armed forces and a team of volunteers proceeded to light the installation, gradually creating a circle of light, radiating out from the Tower as a symbol of remembrance.

Lighting The Torches It was so evocative, eerily beautiful and a thought provoking tribute to those who fought and died during the First World War. With an estimated 40,000 visitors watching on Wednesday evening, I felt lucky to have a view and was delighted to be able capture some images, so that I could portray the emotional impact that this event has had on me.

Deepening ShadowsAs the Yeoman Warders directed the many volunteers to their areas, I couldn’t help but think of prisoners of war, paraded in line, heads hung low, their steps measured and cautious. Under spotlight and the wavering flames of the torches, shadows appeared on the Tower wall. They could have been the shadows of lost soldiers. Wilfred Owen’s poem Dulce et Decorum est came straight to mind:

Bent double, like old beggars under sacks,
Knock-kneed, coughing like hags, we cursed through sludge,
Till on the haunting flares we turned our backs
And towards our distant rest began to trudge.

Shadows of RemembranceI felt like I was looking down into those dreadful trenches, transported into the past and standing witness to the extraordinary sacrifice of so many. The music was hauntingly beautiful, an extra dimension to this evolving installation. You can download it free HERE to hear the words of war poet Mary Borden’s Sonnets to a Soldier in this specially commissioned piece of choral music.

The Deepening Shadows Of The TowerSet against the backdrop of the Tower with it’s own history as a palace, a fortress, a prison, a museum, with the walls covered in so much of the symbolism associated with wartime, this was a stark reminder of the tragedy of war. I want to say a personal thank you to the Historic Royal Palaces, the Tower Of London and all those involved in the production from it’s conception through to the final note, the extinguishing of the last flame. I was moved to tears.

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