For the final week of July’s One Four Challenge, from Robyn Gosby, I’ve taken inspiration from some of the great masters of landscape painting. I wanted to add to the romanticism of the scene with a vibrant oil-painted effect and some colourful wildlife. In Lightroom I used an onOne Movie Look preset, Arkham, on my Week 1 edit. I customised this to get the colour balance and tonal quality that I wanted. Then I moved on to Photoshop CC to create my montage and add textured effects.
From two other photos taken at Dapdune Wharf, I used the Lasso Tool to select and copy the foxes, and then placed them onto the background image. I merged the two layers with the foxes into one and adjusted Hue/Saturation to match the tonal qualities in the background. I then applied a Grad ND adjustment layer to the foxes to match the shadows in the background. I duplicated the background layer and aligned this above the Grad ND layer. I added a White Masking Layer to the background copy and using a Soft Black Brush gradually removed areas of foliage to reveal the foxes. Finally I applied a Greater than Gatsby Golden Sunset Burst to the top right corner to match the natural light on the foxes.
To create the oil painting effect I created three copies of my new montage. To the first I applied Conte Crayon with Canvas Texture in B&W. To the second I applied Rough Pastels with Canvas Texture and Craquelure filters. To the third I added a Fractured Shell Texture which I blended using Multiply and adjusted the opacity to suit. I then copied and pasted both other edits over this new background and blended using Soft Light for the B&W and Multiply for the second edit. It was a lot of work but so much fun!
If you have a favourite please let me know using this poll or in your comments 🙂
Last week I took you all back in time so I thought that, for Week 3 of Robyn Gosby’s One Four Challenge, I’d attempt to take you into the future. Only a couple of months though! Autumn felt just about doable. I started the process with my Week 1 edit and reopened it in Nik Colour Efex Pro. I used Tonal Contrast, Indian Summer, Dark Contrasts, Low Key, Colourise, Grad Fog, Foliage, Grad ND, Polarise, Pro Contrast and Glamour Glow filters, customised to my own liking.
My image now had the general tones and haziness of a cool autumnal morning but needed some extra dimensions. In Photoshop CC I used Greater Than Gatsby actions Garden State Foundation, Cool Greens Brush, Moody Brush, Fog Brush, Amelia Bedelia, Bright Contrast, Forest Vignette, Bright Colourless Burst (top left) and a sunburst Light Overlay. After customising my adjustments with masking layers and blending modes, I merged all and then applied a Hue Adjustment Masking Layer and used a soft Red Paint Brush in Overlay Mode to build up some colour on the apples. Hope you like it!
Yes, I know, I’m late! My brain clearly wasn’t firing on all cylinders on Monday. Having completed the post, I then somehow forgot to actually publish it. Doh!
My second edit for July’s One Four Challenge from Robyn Gosby is a vintage style. The scene made me think of a photograph you might find in an old collection tucked away in a box. When I first started developing my own prints in a darkroom I really didn’t know much about the timings of using each chemical bath and washing my photographs. Many of my early prints are now faded and discoloured as a result of my lack of knowledge and their exposure to sunlight over time. They seem even older than they actually are! I wanted to try to recreate this feel within this week’s edit.
In Lightroom I applied a Greater Than Gatsby preset to my Week 1 edit. I used the Enchanted B&W Base which I then customised to my own liking. I opened this edit in Photoshop and created several duplicate layers of the base image. To the first duplicate I applied the Solarise filter which I then inverted, blended with Soft Light and reduced the opacity. To the second I added a Warming Photo Filter and blended using Overlay. I applied a White Masking Layer to this then using a soft black brush, gradually removed areas of the overlay to reveal the effects beneath. To the third duplicate I added a customised blur with masking layer and gradually removed the blur from certain areas. Finally I added a texture overlay of a tea stain which was again customised with a masking layer, blended with Overlay and I reduced the opacity until it felt right.
There’s a magical, timeless quality to the moors that I wanted to try to convey with this week’s edit for the March One Four Challenge, hosted by Robyn Gosby at Captivate Me. I could have replaced the original sky with another from my files but I decided to see just what I could do by using adjustment layers and the original image only. I’ve attempted to create an ambiguous scene; sunrise or sunset, the start or the finish, now or then?
Photoshop CC Use HDR Background Add Black and white Adjustment Layer modified Red Filter Use Multiply Blending Select Foreground using Polygonal Lasso Layer Via Copy Create Copy of Background Layer Use Cloning Tool and Brush to extend sky over foreground Duplicate Layer Radial Zoom Blur 55% Duplicate Layer Radial Zoom Blur 80% Luminosity Blending 75% Apply Adjustment Layers for Hue and Levels to Foreground Merge Visible
Greater Than Gatsby in Photoshop CC Clean Slate Foundation Golden Sunset Burst with Multiply Blending Create Sunset effect using four radial gradient layers with appropriate colours, reducing in scale Vignette Federal 55% ND Gradient Soft Light Blending Merge Visible Painterly Rich 25% Flatten Image Add Canvas Border
For the second week of March’s One Four Challenge, hosted by Robin Gosby at Captivate Me, I wanted to show the moors and tor in a darker mood. Dartmoor has been the setting for countless novels and poems. The best known of these is undoubtedly The Hound of The Baskervilles by Sir Arthur Conan Doyle. In the dark of night, with the mist rolling in across the moors, I can’t help but think of the savage dog-like beast stood upon the tor, howling into the winds. A little bonus for you is this extra edit with an even moodier look and the hound himself on the rocks!
Here are the steps I took to get my Week 2 edit and a gallery of all the edits so far:
Photoshop CC and GTG Savoy Mark II Colour Base Knuffle Bunny 15% Polar Express 50% Cooling Greens Brush Fog Brush (Across Tor) 50% Moody Brush (Across Tor) Rich Contrast 25% Silky Rich Bokeh Create Depth Brush Dark Paradise 50% RETRO FILMS Record Store 15% Annie Hall 25% Flatten Image Painterly Punchy 100% Flatten Image Black and White Adjustment Layer with Infrared Style Painterly Subtle 100% That Witch is Wicked 15% Classic Contrast Clean Bokeh Create Depth Brush
For the second week of February’s One Four Challenge, hosted by Robyn Gosby at Captivate Me, I wanted to create an effect that resembles charcoal and watercolour. I really enjoyed using that mix of mediums when doing life studies, often on textured pastel paper. It was a fast and free technique that gave a lovely flow to lines and created extra depth to shadowed areas. Rubbing in some chalk to the still wet paper would bring out the highlights and complete the sketch.
Photoshop CC Cleanup Background Solarise Invert with Difference Blending Increase Brightness and Contrast Reduce Noise 100% Make 3 new Copy Layers Copy Layer 1 apply Poster Edges Darker Colour Blending 50% Copy Layer 2 apply Dry Brush Normal Blending 55% Copy Layer 3 apply Diffuse Glow Normal Blending 30% Add B&W Texture Layer Create Layer Mask Soft Black Brush Low Opacity gradually remove texture from figure Merge Visible GTG – Painterly Soft with Multiply Blending 50% Adjust Levels Use Soft White Low Opacity Brush to enhance highlights and lift unwanted shadow Increase Brightness Decrease Contrast Add Warming Photo Filter Use Blur and Smudge tools to accentuate “brush” strokes
It’s time for February’s One Four Challenge, hosted by Robyn Gosby at Captivate Me. A new month, an old image with a brand new look. The original photographs were taken in early 2007 on a Fuji Bridge camera. I think it was a 5mp camera, which really goes to show how fast technology is moving! I took a lot of images in the camera’s own B&W mode at that time as it had been what I was most used to in film photography. The portraits were originally taken as part of a photomontage project for the National Portrait Gallery’s annual photographic competition. I haven’t had any of my images included in the exhibition but I really enjoy the process of creating images for the competition, it’s a great motivator 🙂 I’ll include my 2007 entry within my gallery and, as ever, I would love your feedback and criticism on my processes!
Photoshop CC Clean up base image and remove shadows Invert with Linear Light Blending Merge Down Invert with Screen Blending Merge Down Invert with Difference Blending 50% Merge Down Soft Edge Glow Action 50% Soft Posterise Save Snapshot Rippled Oil Texture 40% Merge Visible Add Snapshot with Lighten Blending Public Domain Texture Overlay Difference Blending Masking Layer – use soft, low opacity brush to remove texture 2nd Texture Overlay Overlay Blending 60% Use soft white brush to paint over dark edges on portrait Flatten Image Add White Canvas Border
For my final edit of November’s One Four Challenge I’ve gone all nostalgic with Nik Silver Efex Pro. I processed my image using the Antique Plate II preset before making some selective adjustments to structure, contrast and brightness. I selected an Agfa 400 film type and increased the grain-per-pixel, then toned the image with a light Ambrotype and added a vintage border. Seed-heads always make me feel nostalgic for childhood days, blowing dandelion clocks in late summer 🙂 Thank you Robyn Gosby at Captivate Me for organising this challenge. I’m really looking forward to seeing everyone’s photo choices for December!
Here’s my gallery and a poll if you would like to choose a favourite.
The days are drawing ever shorter, and as Winter takes hold I really do feel that I’m suffering from a lack of sunlight! I thought I’d represent my mood and the change of seasons in my choice of processing this week. I used Nik Silver Efex to create this dark and moody monochrome. Thanks to Robyn Gosby at Captivate Me for hosting this challenge!
Here’s my gallery from original photograph up to Week 3!
For my second week of this challenge, from Robyn Gosby of Captivate Me, I’ve added some drama to my image. I imported a basic Lightroom edit into Nik Colour Efex Pro, then used Dark Contrast, Detail Extraction, Tonal and Pro Contrast with a warm Glamour Glow to really bring out the structural details of the seed-heads. I increased some warm features and smoothed the background in Lightroom before exporting my final copy. I really wanted to put the essence of Autumn into the image this week! Hope you like it 🙂
I’m adding a gallery to show all the versions of the image including the original.