I couldn’t resist creating this composite from the images I captured of a female Holly Blue butterfly, opening up her wings in the warm sunshine! The rich, golden stone of The Cotswolds really set off the intense colour of the upperside wings. I am including a gallery of the individual images and a haiku based poem inspired by the joy of finding a blue with her wings open!
Little holly blue My eyes long to view those bright Sky-hued upper wings
My heart sings with joy When the sunny skies bring out Your very best side
A sapphire jewel Sat upon the Cotswold wall A golden setting
My own words cannot presume to match the genius of David Bowie’s lyrics. This photomontage was inspired by lines from his last release Lazarus, on his farewell album Blackstar. He starts simply by saying “Look up here, I’m in heaven” and finishes by reassuring us that “Just like that bluebird, Oh I’ll be free, Ain’t that just like me”.
I applied a writing style called the Cut-up Technique, a Dadaist form often used by Bowie, on his own song titles to create a poem of remembrance. My own quirky way of saying farewell to a great artist, who has and always will be ever-present in my life and work.
Thirty Eight Line Poem
When I live my dream,
An occasional dream,
There is a happy land
I know it’s gonna happen someday.
If I’m dreaming of my life,
Please, Mr. Gravedigger,
Don’t bring me down!
Who can I be now,
I feel free!
Hang on to yourself.
It ain’t easy.
Where are we now?
The stars are out tonight
Dancing out in space.
I’ll take you there,
Thru these architects eyes.
I keep forgetting
New angels of promise
Time will crawl,
Never get old,
Ashes to ashes.
We are the dead.
Can you hear me?
Oh! You pretty things!
I’ve put a lot of time and care into processing my image for this week’s challenge. The original photo was taken several years ago at London Zoo. I’ve only ever seen tigers in zoos. I doubt that I will ever get to see a tiger in the wild! As individuals, groups, nations and citizens of Earth we need to take more care of our environment and our precious wildlife. There are more tigers in captivity, including as peoples pets, than exist in the wild. Tigers are still being hunted and poached for the rich elite, who hold onto arcane beliefs of medicinal benefits from parts of this beautiful animal. In the next century it is entirely possible that all that remains of the tiger will be images in books and online; perhaps a few stuffed exhibits in museums.
We must do all that we can to protect the world’s most endangered species but we also need to look to our own local wildlife and their diminishing habitats. In the UK the RSPB are running a campaign to Give Nature A Home. There are twenty different and simple things that you can do in your garden or neighbourhood to give our wildlife a helping hand. With Winter approaching this is especially important! All over the World there are National and Regional charities and organisations that you can contact to find out how to help your local wildlife. If you don’t have a garden you can get involved with volunteer projects in the countryside or you can donate money to help these organisations achieve their goals.
My image is called Tigers of Memory, named after a truly beautiful song by Celia Barrett. Please do follow the link and listen to the song, it’s very poignant! Time is running out for much of our wildlife, not just the tigers. Please try to do something to help protect them and ensure that they don’t fade from the World of Life, to exist only in our memories.
For the final week of July’s One Four Challenge, from Robyn Gosby, I’ve taken inspiration from some of the great masters of landscape painting. I wanted to add to the romanticism of the scene with a vibrant oil-painted effect and some colourful wildlife. In Lightroom I used an onOne Movie Look preset, Arkham, on my Week 1 edit. I customised this to get the colour balance and tonal quality that I wanted. Then I moved on to Photoshop CC to create my montage and add textured effects.
From two other photos taken at Dapdune Wharf, I used the Lasso Tool to select and copy the foxes, and then placed them onto the background image. I merged the two layers with the foxes into one and adjusted Hue/Saturation to match the tonal qualities in the background. I then applied a Grad ND adjustment layer to the foxes to match the shadows in the background. I duplicated the background layer and aligned this above the Grad ND layer. I added a White Masking Layer to the background copy and using a Soft Black Brush gradually removed areas of foliage to reveal the foxes. Finally I applied a Greater than Gatsby Golden Sunset Burst to the top right corner to match the natural light on the foxes.
To create the oil painting effect I created three copies of my new montage. To the first I applied Conte Crayon with Canvas Texture in B&W. To the second I applied Rough Pastels with Canvas Texture and Craquelure filters. To the third I added a Fractured Shell Texture which I blended using Multiply and adjusted the opacity to suit. I then copied and pasted both other edits over this new background and blended using Soft Light for the B&W and Multiply for the second edit. It was a lot of work but so much fun!
If you have a favourite please let me know using this poll or in your comments 🙂
The saying goes, “It’s the early bird that catches the worm”. This week we were challenged to get up early and capture the morning light. My challenge while in Devon over Easter, was to get up much earlier than I usually do and catch the birds! Specifically, birds of prey. I’ve been sharing a few of these images with you over the past few weeks, but this montage took some time to compose and get the feel of motion and light that I wanted. The story that I hoped to tell with this image is of the special relationship between the owl and her owner.
This is Pepper, a pure-breed British Barn Owl (Tyto alba alba), flying to her handler, Steve Hopper from South Hams Hawks and Owls. Steve is a falconer who runs a raptor rescue centre and flies his birds of prey for educational displays and photography groups. Pepper was rescued at the age of sixteen when her owner passed away. She’s now twenty one, which is very elderly for a Barn Owl! She’s almost completely blind so can only manage short exercise flights, relying upon the sound of Steve’s voice and the taps he makes on the glove to guide her to him. Watching her short flights was a real privilege. She flies high and, as Steve put it, creates wonderful “angel” shapes with her wings.
I’ve gone all nostalgic for the last installment of this month’s One Four Challenge, hosted by Robyn Gosby at Captivate Me. Dartmoor brings back many happy childhood memories for me, of climbing the tors and seeing the gorgeous Dartmoor Ponies. My mother’s family come from Devon and she, herself, grew up on the edge of the moors. There’s a real sense of peace and tranquility that comes from being out in one of the UK’s great wildernesses. The montage that I’ve created is a romanticised imagining of an early, plate photograph that, perhaps, I might have found in an old trunk or at the bottom of a desk drawer in an ancestor’s home. You’ll find a gallery of all my edits after the list of processes, and a poll if you would like to choose a favourite! As April is our review month, please do let me know if there’s a One Four image of mine that you think could do with a rework and what suggestions you have for me. Thanks all 🙂
Colour Efex Pro Tonal Contrast Fine – increase all Detail Extractor 20% Exclude from Sky Dynamic skin softener on Blue Sky Tone Classic Soft Focus Diffusion on Sky Fog – Method 3 20% Excluded From Foreground Graduated ND -20%, 30% Blend Polarisation 80% Pro Contrast 10% 15% 20% Glamour Glow 15% Save to Lightroom Apply Noise Reduction
Silver Efex Pro 2 Brightness 20% Contrast 34% Structure 12& 20 Control Points to age image Red Filter 27% Ilford PAN F Plus 50 Film type Sepia Toning 20 White Frame 2
Photoshop CC Add Horses and Birds Edited As Above Using Polygonal Lasso Tool GTG Clean Edit Base 50% Amelia Bedelia 10% Super Fudge 15% Tickle Monster 10% Fog Brush 80% across rocks, sky and foreground grasses Flatten Image Painterly Rich 50% Flatten Image Use Low Opacity Blur Tool to soften features as necessary From Library use Crumbled Paper Brush to age edges
Lightroom Basic Edit Clarity +15 No Sharpening Noise Reduction 25%
Analog Efex Pro 2 Add More Age Using: Dirt & Scratches Eroded Photo Plate Streaked Lens Vignette Rectangular -25% Frames White 27%
For the second week of March’s One Four Challenge, hosted by Robin Gosby at Captivate Me, I wanted to show the moors and tor in a darker mood. Dartmoor has been the setting for countless novels and poems. The best known of these is undoubtedly The Hound of The Baskervilles by Sir Arthur Conan Doyle. In the dark of night, with the mist rolling in across the moors, I can’t help but think of the savage dog-like beast stood upon the tor, howling into the winds. A little bonus for you is this extra edit with an even moodier look and the hound himself on the rocks!
Here are the steps I took to get my Week 2 edit and a gallery of all the edits so far:
Photoshop CC and GTG Savoy Mark II Colour Base Knuffle Bunny 15% Polar Express 50% Cooling Greens Brush Fog Brush (Across Tor) 50% Moody Brush (Across Tor) Rich Contrast 25% Silky Rich Bokeh Create Depth Brush Dark Paradise 50% RETRO FILMS Record Store 15% Annie Hall 25% Flatten Image Painterly Punchy 100% Flatten Image Black and White Adjustment Layer with Infrared Style Painterly Subtle 100% That Witch is Wicked 15% Classic Contrast Clean Bokeh Create Depth Brush